Documentation, Analysis, Visualization
Speakers
We've reached out to some of the top names in the forensic photography field and have participation by internationally renowned experts who have practical experience. Add to that some of the leading hardware and software developers and you'll have a very rare collection of experts to learn from.
Check out a few of our confirmed speakers.
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Day 1: Jan 17, 2022
David Witzke
Image Quality and Clarity
Analyzing, comparing and evaluating forensic digital images relies on understanding two essential elements: quality and clarity. Resolution provides image quality, and bit depth provides clarity between the details in the image.
Analyzing, comparing and evaluating forensic digital images relies on understanding two essential elements: quality and clarity. Resolution provides image quality, and bit depth provides clarity between the details in the image.
Michael Fulton
Bad Crime Scene Photos
Modern digital photography has solved many of the technical challenges forensic photographers encounter. However, even with the advantage of instant feedback, issues of how to properly expose crime scene photographs still exist. Images are being captured and not corrected, rendering them unusable, which begs the question, “why?”. Effective crime scene photography is a significant element of solving a criminal event. Therefore, it is vital to understand the issues that many hinder a forensic investigator when capturing these images. The factors within the scope of the study presented here, are as follows: the overall attitude of the forensic investigator that can impact the quality of photographs; the lack of quality training in the specific requirements of forensic photography can result in incomplete or unusable images; professional, well-maintained equipment will capture better-quality images (a lack of good tools making it more difficult for the investigator to do their job well); and the harsh sights and smells of the crime scene environment that can be difficult for even the most experienced investigator. This presentation will summarize the feedback from over 175 forensic photographers worldwide to examine why images are being captured and not corrected.
Modern digital photography has solved many of the technical challenges forensic photographers encounter. However, even with the advantage of instant feedback, issues of how to properly expose crime scene photographs still exist. Images are being captured and not corrected, rendering them unusable, which begs the question, “why?”. Effective crime scene photography is a significant element of solving a criminal event. Therefore, it is vital to understand the issues that many hinder a forensic investigator when capturing these images. The factors within the scope of the study presented here, are as follows: the overall attitude of the forensic investigator that can impact the quality of photographs; the lack of quality training in the specific requirements of forensic photography can result in incomplete or unusable images; professional, well-maintained equipment will capture better-quality images (a lack of good tools making it more difficult for the investigator to do their job well); and the harsh sights and smells of the crime scene environment that can be difficult for even the most experienced investigator. This presentation will summarize the feedback from over 175 forensic photographers worldwide to examine why images are being captured and not corrected.
Barry Bassnett
32 bit imagery
Photogrammetry and 360° imagery can be useful in LiDAR colorization and to maximize the potential of drone and ROV image capture using 32 bit techniques to maximize lighting, even in extremely dark environments.
Photogrammetry and 360° imagery can be useful in LiDAR colorization and to maximize the potential of drone and ROV image capture using 32 bit techniques to maximize lighting, even in extremely dark environments.
Jonathan W. Hak , Q.C.
Authentication Admissibility
Digital images are the predominant visual medium used by counsel to advance trial narratives in the courtroom. Counsel therefore rely upon forensic experts to provide the imagery for use at trial. Depending upon the case, imagery may include ground-based or aerial still images and video, TLS 3D visualizations, satellite imagery, and immersive visual environments. Being able to accurately visualize scenes, objects, and people can be of significant value in understanding complex locations and events, and in reaching conclusions on identification. As the ultimate aim of a trial is to ascertain the truth, digital imagery can aid in that worthwhile endeavor. Learn about the legal perspective regarding digital images as the presenter discusses admissibility, authentication, and effective courtroom presentations.
Digital images are the predominant visual medium used by counsel to advance trial narratives in the courtroom. Counsel therefore rely upon forensic experts to provide the imagery for use at trial. Depending upon the case, imagery may include ground-based or aerial still images and video, TLS 3D visualizations, satellite imagery, and immersive visual environments. Being able to accurately visualize scenes, objects, and people can be of significant value in understanding complex locations and events, and in reaching conclusions on identification. As the ultimate aim of a trial is to ascertain the truth, digital imagery can aid in that worthwhile endeavor. Learn about the legal perspective regarding digital images as the presenter discusses admissibility, authentication, and effective courtroom presentations.
Eddy De Valck
Forensic Photography in Disaster Victim Identification
Photography is an integral part of any DVI operation, as developed and internationally agreed upon by the Interpol DVI Standing Committee. Its use is described in the Interpol DVI guidelines and should be applied in all DVI operations particularly in the search and rescue phase as well as in the post-mortem examination in the way described in the Interpol DVI protocols.
Photography is an integral part of any DVI operation, as developed and internationally agreed upon by the Interpol DVI Standing Committee. Its use is described in the Interpol DVI guidelines and should be applied in all DVI operations particularly in the search and rescue phase as well as in the post-mortem examination in the way described in the Interpol DVI protocols.
Jeffrey Suway
Luminance (INCR), Nighttime Photography
Mapping the luminance values of a visual scene is of broad interest to accident reconstructionists, human factors professionals, and lighting experts. Such mappings are useful for a variety of purposes, including determining the effectiveness and appropriateness of lighting installations, and performing visibility analyses for accident case studies. One of the most common methods for mapping luminance is to use a spot type luminance meter. This requires individual measurements of all objects of interest and can be extremely time consuming. Nitere, a commercially available software, allows the user to calibrate their camera and estimate luminance from the resultant still images and video. The process of capturing appropriate images and video for luminance estimation will be discussed. The science behind estimating luminance from a CCD sensor will be explained. And the process of using Nitere will be taught.
Mapping the luminance values of a visual scene is of broad interest to accident reconstructionists, human factors professionals, and lighting experts. Such mappings are useful for a variety of purposes, including determining the effectiveness and appropriateness of lighting installations, and performing visibility analyses for accident case studies. One of the most common methods for mapping luminance is to use a spot type luminance meter. This requires individual measurements of all objects of interest and can be extremely time consuming. Nitere, a commercially available software, allows the user to calibrate their camera and estimate luminance from the resultant still images and video. The process of capturing appropriate images and video for luminance estimation will be discussed. The science behind estimating luminance from a CCD sensor will be explained. And the process of using Nitere will be taught.
David Witzke
Image Quality and Clarity
Analyzing, comparing and evaluating forensic digital images relies on understanding two essential elements: quality and clarity. Resolution provides image quality, and bit depth provides clarity between the details in the image.
Analyzing, comparing and evaluating forensic digital images relies on understanding two essential elements: quality and clarity. Resolution provides image quality, and bit depth provides clarity between the details in the image.
Michael Fulton
Bad Crime Scene Photos
Modern digital photography has solved many of the technical challenges forensic photographers encounter. However, even with the advantage of instant feedback, issues of how to properly expose crime scene photographs still exist. Images are being captured and not corrected, rendering them unusable, which begs the question, “why?”. Effective crime scene photography is a significant element of solving a criminal event. Therefore, it is vital to understand the issues that many hinder a forensic investigator when capturing these images. The factors within the scope of the study presented here, are as follows: the overall attitude of the forensic investigator that can impact the quality of photographs; the lack of quality training in the specific requirements of forensic photography can result in incomplete or unusable images; professional, well-maintained equipment will capture better-quality images (a lack of good tools making it more difficult for the investigator to do their job well); and the harsh sights and smells of the crime scene environment that can be difficult for even the most experienced investigator. This presentation will summarize the feedback from over 175 forensic photographers worldwide to examine why images are being captured and not corrected.
Modern digital photography has solved many of the technical challenges forensic photographers encounter. However, even with the advantage of instant feedback, issues of how to properly expose crime scene photographs still exist. Images are being captured and not corrected, rendering them unusable, which begs the question, “why?”. Effective crime scene photography is a significant element of solving a criminal event. Therefore, it is vital to understand the issues that many hinder a forensic investigator when capturing these images. The factors within the scope of the study presented here, are as follows: the overall attitude of the forensic investigator that can impact the quality of photographs; the lack of quality training in the specific requirements of forensic photography can result in incomplete or unusable images; professional, well-maintained equipment will capture better-quality images (a lack of good tools making it more difficult for the investigator to do their job well); and the harsh sights and smells of the crime scene environment that can be difficult for even the most experienced investigator. This presentation will summarize the feedback from over 175 forensic photographers worldwide to examine why images are being captured and not corrected.
Barry Bassnett
32 bit imagery
Photogrammetry and 360° imagery can be useful in LiDAR colorization and to maximize the potential of drone and ROV image capture using 32 bit techniques to maximize lighting, even in extremely dark environments.
Photogrammetry and 360° imagery can be useful in LiDAR colorization and to maximize the potential of drone and ROV image capture using 32 bit techniques to maximize lighting, even in extremely dark environments.
Jonathan W. Hak , Q.C.
Authentication Admissibility
Digital images are the predominant visual medium used by counsel to advance trial narratives in the courtroom. Counsel therefore rely upon forensic experts to provide the imagery for use at trial. Depending upon the case, imagery may include ground-based or aerial still images and video, TLS 3D visualizations, satellite imagery, and immersive visual environments. Being able to accurately visualize scenes, objects, and people can be of significant value in understanding complex locations and events, and in reaching conclusions on identification. As the ultimate aim of a trial is to ascertain the truth, digital imagery can aid in that worthwhile endeavor. Learn about the legal perspective regarding digital images as the presenter discusses admissibility, authentication, and effective courtroom presentations.
Digital images are the predominant visual medium used by counsel to advance trial narratives in the courtroom. Counsel therefore rely upon forensic experts to provide the imagery for use at trial. Depending upon the case, imagery may include ground-based or aerial still images and video, TLS 3D visualizations, satellite imagery, and immersive visual environments. Being able to accurately visualize scenes, objects, and people can be of significant value in understanding complex locations and events, and in reaching conclusions on identification. As the ultimate aim of a trial is to ascertain the truth, digital imagery can aid in that worthwhile endeavor. Learn about the legal perspective regarding digital images as the presenter discusses admissibility, authentication, and effective courtroom presentations.
Eddy De Valck
Forensic Photography in Disaster Victim Identification
Photography is an integral part of any DVI operation, as developed and internationally agreed upon by the Interpol DVI Standing Committee. Its use is described in the Interpol DVI guidelines and should be applied in all DVI operations particularly in the search and rescue phase as well as in the post-mortem examination in the way described in the Interpol DVI protocols.
Photography is an integral part of any DVI operation, as developed and internationally agreed upon by the Interpol DVI Standing Committee. Its use is described in the Interpol DVI guidelines and should be applied in all DVI operations particularly in the search and rescue phase as well as in the post-mortem examination in the way described in the Interpol DVI protocols.
Jeffrey Suway
Luminance (INCR), Nighttime Photography
Mapping the luminance values of a visual scene is of broad interest to accident reconstructionists, human factors professionals, and lighting experts. Such mappings are useful for a variety of purposes, including determining the effectiveness and appropriateness of lighting installations, and performing visibility analyses for accident case studies. One of the most common methods for mapping luminance is to use a spot type luminance meter. This requires individual measurements of all objects of interest and can be extremely time consuming. Nitere, a commercially available software, allows the user to calibrate their camera and estimate luminance from the resultant still images and video. The process of capturing appropriate images and video for luminance estimation will be discussed. The science behind estimating luminance from a CCD sensor will be explained. And the process of using Nitere will be taught.
Mapping the luminance values of a visual scene is of broad interest to accident reconstructionists, human factors professionals, and lighting experts. Such mappings are useful for a variety of purposes, including determining the effectiveness and appropriateness of lighting installations, and performing visibility analyses for accident case studies. One of the most common methods for mapping luminance is to use a spot type luminance meter. This requires individual measurements of all objects of interest and can be extremely time consuming. Nitere, a commercially available software, allows the user to calibrate their camera and estimate luminance from the resultant still images and video. The process of capturing appropriate images and video for luminance estimation will be discussed. The science behind estimating luminance from a CCD sensor will be explained. And the process of using Nitere will be taught.
David Witzke
Image Quality and Clarity
Analyzing, comparing and evaluating forensic digital images relies on understanding two essential elements: quality and clarity. Resolution provides image quality, and bit depth provides clarity between the details in the image.
Analyzing, comparing and evaluating forensic digital images relies on understanding two essential elements: quality and clarity. Resolution provides image quality, and bit depth provides clarity between the details in the image.
Michael Fulton
Bad Crime Scene Photos
Modern digital photography has solved many of the technical challenges forensic photographers encounter. However, even with the advantage of instant feedback, issues of how to properly expose crime scene photographs still exist. Images are being captured and not corrected, rendering them unusable, which begs the question, “why?”. Effective crime scene photography is a significant element of solving a criminal event. Therefore, it is vital to understand the issues that many hinder a forensic investigator when capturing these images. The factors within the scope of the study presented here, are as follows: the overall attitude of the forensic investigator that can impact the quality of photographs; the lack of quality training in the specific requirements of forensic photography can result in incomplete or unusable images; professional, well-maintained equipment will capture better-quality images (a lack of good tools making it more difficult for the investigator to do their job well); and the harsh sights and smells of the crime scene environment that can be difficult for even the most experienced investigator. This presentation will summarize the feedback from over 175 forensic photographers worldwide to examine why images are being captured and not corrected.
Modern digital photography has solved many of the technical challenges forensic photographers encounter. However, even with the advantage of instant feedback, issues of how to properly expose crime scene photographs still exist. Images are being captured and not corrected, rendering them unusable, which begs the question, “why?”. Effective crime scene photography is a significant element of solving a criminal event. Therefore, it is vital to understand the issues that many hinder a forensic investigator when capturing these images. The factors within the scope of the study presented here, are as follows: the overall attitude of the forensic investigator that can impact the quality of photographs; the lack of quality training in the specific requirements of forensic photography can result in incomplete or unusable images; professional, well-maintained equipment will capture better-quality images (a lack of good tools making it more difficult for the investigator to do their job well); and the harsh sights and smells of the crime scene environment that can be difficult for even the most experienced investigator. This presentation will summarize the feedback from over 175 forensic photographers worldwide to examine why images are being captured and not corrected.
Barry Bassnett
32 bit imagery
Photogrammetry and 360° imagery can be useful in LiDAR colorization and to maximize the potential of drone and ROV image capture using 32 bit techniques to maximize lighting, even in extremely dark environments.
Photogrammetry and 360° imagery can be useful in LiDAR colorization and to maximize the potential of drone and ROV image capture using 32 bit techniques to maximize lighting, even in extremely dark environments.
Jonathan W. Hak , Q.C.
Authentication Admissibility
Digital images are the predominant visual medium used by counsel to advance trial narratives in the courtroom. Counsel therefore rely upon forensic experts to provide the imagery for use at trial. Depending upon the case, imagery may include ground-based or aerial still images and video, TLS 3D visualizations, satellite imagery, and immersive visual environments. Being able to accurately visualize scenes, objects, and people can be of significant value in understanding complex locations and events, and in reaching conclusions on identification. As the ultimate aim of a trial is to ascertain the truth, digital imagery can aid in that worthwhile endeavor. Learn about the legal perspective regarding digital images as the presenter discusses admissibility, authentication, and effective courtroom presentations.
Digital images are the predominant visual medium used by counsel to advance trial narratives in the courtroom. Counsel therefore rely upon forensic experts to provide the imagery for use at trial. Depending upon the case, imagery may include ground-based or aerial still images and video, TLS 3D visualizations, satellite imagery, and immersive visual environments. Being able to accurately visualize scenes, objects, and people can be of significant value in understanding complex locations and events, and in reaching conclusions on identification. As the ultimate aim of a trial is to ascertain the truth, digital imagery can aid in that worthwhile endeavor. Learn about the legal perspective regarding digital images as the presenter discusses admissibility, authentication, and effective courtroom presentations.
Eddy De Valck
Forensic Photography in Disaster Victim Identification
Photography is an integral part of any DVI operation, as developed and internationally agreed upon by the Interpol DVI Standing Committee. Its use is described in the Interpol DVI guidelines and should be applied in all DVI operations particularly in the search and rescue phase as well as in the post-mortem examination in the way described in the Interpol DVI protocols.
Photography is an integral part of any DVI operation, as developed and internationally agreed upon by the Interpol DVI Standing Committee. Its use is described in the Interpol DVI guidelines and should be applied in all DVI operations particularly in the search and rescue phase as well as in the post-mortem examination in the way described in the Interpol DVI protocols.
Jeffrey Suway
Luminance (INCR), Nighttime Photography
Mapping the luminance values of a visual scene is of broad interest to accident reconstructionists, human factors professionals, and lighting experts. Such mappings are useful for a variety of purposes, including determining the effectiveness and appropriateness of lighting installations, and performing visibility analyses for accident case studies. One of the most common methods for mapping luminance is to use a spot type luminance meter. This requires individual measurements of all objects of interest and can be extremely time consuming. Nitere, a commercially available software, allows the user to calibrate their camera and estimate luminance from the resultant still images and video. The process of capturing appropriate images and video for luminance estimation will be discussed. The science behind estimating luminance from a CCD sensor will be explained. And the process of using Nitere will be taught.
Mapping the luminance values of a visual scene is of broad interest to accident reconstructionists, human factors professionals, and lighting experts. Such mappings are useful for a variety of purposes, including determining the effectiveness and appropriateness of lighting installations, and performing visibility analyses for accident case studies. One of the most common methods for mapping luminance is to use a spot type luminance meter. This requires individual measurements of all objects of interest and can be extremely time consuming. Nitere, a commercially available software, allows the user to calibrate their camera and estimate luminance from the resultant still images and video. The process of capturing appropriate images and video for luminance estimation will be discussed. The science behind estimating luminance from a CCD sensor will be explained. And the process of using Nitere will be taught.
David Witzke
Image Quality and Clarity
Analyzing, comparing and evaluating forensic digital images relies on understanding two essential elements: quality and clarity. Resolution provides image quality, and bit depth provides clarity between the details in the image.
Analyzing, comparing and evaluating forensic digital images relies on understanding two essential elements: quality and clarity. Resolution provides image quality, and bit depth provides clarity between the details in the image.
Michael Fulton
Bad Crime Scene Photos
Modern digital photography has solved many of the technical challenges forensic photographers encounter. However, even with the advantage of instant feedback, issues of how to properly expose crime scene photographs still exist. Images are being captured and not corrected, rendering them unusable, which begs the question, “why?”. Effective crime scene photography is a significant element of solving a criminal event. Therefore, it is vital to understand the issues that many hinder a forensic investigator when capturing these images. The factors within the scope of the study presented here, are as follows: the overall attitude of the forensic investigator that can impact the quality of photographs; the lack of quality training in the specific requirements of forensic photography can result in incomplete or unusable images; professional, well-maintained equipment will capture better-quality images (a lack of good tools making it more difficult for the investigator to do their job well); and the harsh sights and smells of the crime scene environment that can be difficult for even the most experienced investigator. This presentation will summarize the feedback from over 175 forensic photographers worldwide to examine why images are being captured and not corrected.
Modern digital photography has solved many of the technical challenges forensic photographers encounter. However, even with the advantage of instant feedback, issues of how to properly expose crime scene photographs still exist. Images are being captured and not corrected, rendering them unusable, which begs the question, “why?”. Effective crime scene photography is a significant element of solving a criminal event. Therefore, it is vital to understand the issues that many hinder a forensic investigator when capturing these images. The factors within the scope of the study presented here, are as follows: the overall attitude of the forensic investigator that can impact the quality of photographs; the lack of quality training in the specific requirements of forensic photography can result in incomplete or unusable images; professional, well-maintained equipment will capture better-quality images (a lack of good tools making it more difficult for the investigator to do their job well); and the harsh sights and smells of the crime scene environment that can be difficult for even the most experienced investigator. This presentation will summarize the feedback from over 175 forensic photographers worldwide to examine why images are being captured and not corrected.
Barry Bassnett
32 bit imagery
Photogrammetry and 360° imagery can be useful in LiDAR colorization and to maximize the potential of drone and ROV image capture using 32 bit techniques to maximize lighting, even in extremely dark environments.
Photogrammetry and 360° imagery can be useful in LiDAR colorization and to maximize the potential of drone and ROV image capture using 32 bit techniques to maximize lighting, even in extremely dark environments.
Jonathan W. Hak , Q.C.
Authentication Admissibility
Digital images are the predominant visual medium used by counsel to advance trial narratives in the courtroom. Counsel therefore rely upon forensic experts to provide the imagery for use at trial. Depending upon the case, imagery may include ground-based or aerial still images and video, TLS 3D visualizations, satellite imagery, and immersive visual environments. Being able to accurately visualize scenes, objects, and people can be of significant value in understanding complex locations and events, and in reaching conclusions on identification. As the ultimate aim of a trial is to ascertain the truth, digital imagery can aid in that worthwhile endeavor. Learn about the legal perspective regarding digital images as the presenter discusses admissibility, authentication, and effective courtroom presentations.
Digital images are the predominant visual medium used by counsel to advance trial narratives in the courtroom. Counsel therefore rely upon forensic experts to provide the imagery for use at trial. Depending upon the case, imagery may include ground-based or aerial still images and video, TLS 3D visualizations, satellite imagery, and immersive visual environments. Being able to accurately visualize scenes, objects, and people can be of significant value in understanding complex locations and events, and in reaching conclusions on identification. As the ultimate aim of a trial is to ascertain the truth, digital imagery can aid in that worthwhile endeavor. Learn about the legal perspective regarding digital images as the presenter discusses admissibility, authentication, and effective courtroom presentations.
Eddy De Valck
Forensic Photography in Disaster Victim Identification
Photography is an integral part of any DVI operation, as developed and internationally agreed upon by the Interpol DVI Standing Committee. Its use is described in the Interpol DVI guidelines and should be applied in all DVI operations particularly in the search and rescue phase as well as in the post-mortem examination in the way described in the Interpol DVI protocols.
Photography is an integral part of any DVI operation, as developed and internationally agreed upon by the Interpol DVI Standing Committee. Its use is described in the Interpol DVI guidelines and should be applied in all DVI operations particularly in the search and rescue phase as well as in the post-mortem examination in the way described in the Interpol DVI protocols.
Jeffrey Suway
Luminance (INCR), Nighttime Photography
Mapping the luminance values of a visual scene is of broad interest to accident reconstructionists, human factors professionals, and lighting experts. Such mappings are useful for a variety of purposes, including determining the effectiveness and appropriateness of lighting installations, and performing visibility analyses for accident case studies. One of the most common methods for mapping luminance is to use a spot type luminance meter. This requires individual measurements of all objects of interest and can be extremely time consuming. Nitere, a commercially available software, allows the user to calibrate their camera and estimate luminance from the resultant still images and video. The process of capturing appropriate images and video for luminance estimation will be discussed. The science behind estimating luminance from a CCD sensor will be explained. And the process of using Nitere will be taught.
Mapping the luminance values of a visual scene is of broad interest to accident reconstructionists, human factors professionals, and lighting experts. Such mappings are useful for a variety of purposes, including determining the effectiveness and appropriateness of lighting installations, and performing visibility analyses for accident case studies. One of the most common methods for mapping luminance is to use a spot type luminance meter. This requires individual measurements of all objects of interest and can be extremely time consuming. Nitere, a commercially available software, allows the user to calibrate their camera and estimate luminance from the resultant still images and video. The process of capturing appropriate images and video for luminance estimation will be discussed. The science behind estimating luminance from a CCD sensor will be explained. And the process of using Nitere will be taught.
David Witzke
Image Quality and Clarity
Analyzing, comparing and evaluating forensic digital images relies on understanding two essential elements: quality and clarity. Resolution provides image quality, and bit depth provides clarity between the details in the image.
Analyzing, comparing and evaluating forensic digital images relies on understanding two essential elements: quality and clarity. Resolution provides image quality, and bit depth provides clarity between the details in the image.
Michael Fulton
Bad Crime Scene Photos
Modern digital photography has solved many of the technical challenges forensic photographers encounter. However, even with the advantage of instant feedback, issues of how to properly expose crime scene photographs still exist. Images are being captured and not corrected, rendering them unusable, which begs the question, “why?”. Effective crime scene photography is a significant element of solving a criminal event. Therefore, it is vital to understand the issues that many hinder a forensic investigator when capturing these images. The factors within the scope of the study presented here, are as follows: the overall attitude of the forensic investigator that can impact the quality of photographs; the lack of quality training in the specific requirements of forensic photography can result in incomplete or unusable images; professional, well-maintained equipment will capture better-quality images (a lack of good tools making it more difficult for the investigator to do their job well); and the harsh sights and smells of the crime scene environment that can be difficult for even the most experienced investigator. This presentation will summarize the feedback from over 175 forensic photographers worldwide to examine why images are being captured and not corrected.
Modern digital photography has solved many of the technical challenges forensic photographers encounter. However, even with the advantage of instant feedback, issues of how to properly expose crime scene photographs still exist. Images are being captured and not corrected, rendering them unusable, which begs the question, “why?”. Effective crime scene photography is a significant element of solving a criminal event. Therefore, it is vital to understand the issues that many hinder a forensic investigator when capturing these images. The factors within the scope of the study presented here, are as follows: the overall attitude of the forensic investigator that can impact the quality of photographs; the lack of quality training in the specific requirements of forensic photography can result in incomplete or unusable images; professional, well-maintained equipment will capture better-quality images (a lack of good tools making it more difficult for the investigator to do their job well); and the harsh sights and smells of the crime scene environment that can be difficult for even the most experienced investigator. This presentation will summarize the feedback from over 175 forensic photographers worldwide to examine why images are being captured and not corrected.
Barry Bassnett
32 bit imagery
Photogrammetry and 360° imagery can be useful in LiDAR colorization and to maximize the potential of drone and ROV image capture using 32 bit techniques to maximize lighting, even in extremely dark environments.
Photogrammetry and 360° imagery can be useful in LiDAR colorization and to maximize the potential of drone and ROV image capture using 32 bit techniques to maximize lighting, even in extremely dark environments.
Jonathan W. Hak , Q.C.
Authentication Admissibility
Digital images are the predominant visual medium used by counsel to advance trial narratives in the courtroom. Counsel therefore rely upon forensic experts to provide the imagery for use at trial. Depending upon the case, imagery may include ground-based or aerial still images and video, TLS 3D visualizations, satellite imagery, and immersive visual environments. Being able to accurately visualize scenes, objects, and people can be of significant value in understanding complex locations and events, and in reaching conclusions on identification. As the ultimate aim of a trial is to ascertain the truth, digital imagery can aid in that worthwhile endeavor. Learn about the legal perspective regarding digital images as the presenter discusses admissibility, authentication, and effective courtroom presentations.
Digital images are the predominant visual medium used by counsel to advance trial narratives in the courtroom. Counsel therefore rely upon forensic experts to provide the imagery for use at trial. Depending upon the case, imagery may include ground-based or aerial still images and video, TLS 3D visualizations, satellite imagery, and immersive visual environments. Being able to accurately visualize scenes, objects, and people can be of significant value in understanding complex locations and events, and in reaching conclusions on identification. As the ultimate aim of a trial is to ascertain the truth, digital imagery can aid in that worthwhile endeavor. Learn about the legal perspective regarding digital images as the presenter discusses admissibility, authentication, and effective courtroom presentations.
Eddy De Valck
Forensic Photography in Disaster Victim Identification
Photography is an integral part of any DVI operation, as developed and internationally agreed upon by the Interpol DVI Standing Committee. Its use is described in the Interpol DVI guidelines and should be applied in all DVI operations particularly in the search and rescue phase as well as in the post-mortem examination in the way described in the Interpol DVI protocols.
Photography is an integral part of any DVI operation, as developed and internationally agreed upon by the Interpol DVI Standing Committee. Its use is described in the Interpol DVI guidelines and should be applied in all DVI operations particularly in the search and rescue phase as well as in the post-mortem examination in the way described in the Interpol DVI protocols.
Jeffrey Suway
Luminance (INCR), Nighttime Photography
Mapping the luminance values of a visual scene is of broad interest to accident reconstructionists, human factors professionals, and lighting experts. Such mappings are useful for a variety of purposes, including determining the effectiveness and appropriateness of lighting installations, and performing visibility analyses for accident case studies. One of the most common methods for mapping luminance is to use a spot type luminance meter. This requires individual measurements of all objects of interest and can be extremely time consuming. Nitere, a commercially available software, allows the user to calibrate their camera and estimate luminance from the resultant still images and video. The process of capturing appropriate images and video for luminance estimation will be discussed. The science behind estimating luminance from a CCD sensor will be explained. And the process of using Nitere will be taught.
Mapping the luminance values of a visual scene is of broad interest to accident reconstructionists, human factors professionals, and lighting experts. Such mappings are useful for a variety of purposes, including determining the effectiveness and appropriateness of lighting installations, and performing visibility analyses for accident case studies. One of the most common methods for mapping luminance is to use a spot type luminance meter. This requires individual measurements of all objects of interest and can be extremely time consuming. Nitere, a commercially available software, allows the user to calibrate their camera and estimate luminance from the resultant still images and video. The process of capturing appropriate images and video for luminance estimation will be discussed. The science behind estimating luminance from a CCD sensor will be explained. And the process of using Nitere will be taught.
Day 2: Jan 18, 2022
David Larraguibel
Cross-Polarization Photography
Photographic documentation of human tissues affected by various forms of pathology and trauma can present unique challenges for the forensic investigator. Sweat and condensation, blood and other bodily fluids, injuries hidden by burns or inorganic matter, can all cause issues of reflective artifacts or competing tone and texture. Additionally the documentation of tattoos, scars, and body markings in thermally damaged or darkly pigmented skin can be difficult for identification purposes.
While modern camera systems and techniques are able to mitigate some of these problems through exposure control and lighting solutions, the use of cross-polarization has greatly enhanced the ability of appropriately equipped and trained forensic investigators to document these findings. A lens mounted circular polarizer typically used to minimize environmental reflections caused by atmospheric lighting, combined with a controlled, polarized light source can bring a level of control that will allow for documentation of highly reflective surfaces, such as human tissue, while increasing contrast and saturation.
In this presentation I plan to provide an explanation of the science behind lighting human tissue using cross-polarization, how to source and deploy the equipment and techniques, and show several examples of the process. Wet tissues (Heart, Kidney, Lungs), tattoos on dark/thermally damaged skin, enhanced visualization of bruising on skin, visualization of bruising on muscle.
Photographic documentation of human tissues affected by various forms of pathology and trauma can present unique challenges for the forensic investigator. Sweat and condensation, blood and other bodily fluids, injuries hidden by burns or inorganic matter, can all cause issues of reflective artifacts or competing tone and texture. Additionally the documentation of tattoos, scars, and body markings in thermally damaged or darkly pigmented skin can be difficult for identification purposes.
While modern camera systems and techniques are able to mitigate some of these problems through exposure control and lighting solutions, the use of cross-polarization has greatly enhanced the ability of appropriately equipped and trained forensic investigators to document these findings. A lens mounted circular polarizer typically used to minimize environmental reflections caused by atmospheric lighting, combined with a controlled, polarized light source can bring a level of control that will allow for documentation of highly reflective surfaces, such as human tissue, while increasing contrast and saturation.
In this presentation I plan to provide an explanation of the science behind lighting human tissue using cross-polarization, how to source and deploy the equipment and techniques, and show several examples of the process. Wet tissues (Heart, Kidney, Lungs), tattoos on dark/thermally damaged skin, enhanced visualization of bruising on skin, visualization of bruising on muscle.
Art Borchers
Why Shoot Raw?
Forensic images can be crucial pieces of evidence. Photos need to be true, fair and accurate representations of the scene they depict. Does your camera and it's settings fulfill that obligation? Can you explain how your camera processes a digital image?
Forensic images can be crucial pieces of evidence. Photos need to be true, fair and accurate representations of the scene they depict. Does your camera and it's settings fulfill that obligation? Can you explain how your camera processes a digital image?
Mike Faulkner
Camera Sensors
Why are mobile phone cameras so good, high-res and small whereas industrial/commercial cameras are of lower resolution, larger size and higher cost?
Why are mobile phone cameras so good, high-res and small whereas industrial/commercial cameras are of lower resolution, larger size and higher cost?
Steve Anderson
Pole Photo for Crash
Having overhead photographs of vehicles at their impact positions is an extremely vital role in documentation and presentation of collision dynamics. Drones have recently been deployed to gather this data, but what happens when you can't fly due to proximity to a hazard? This presentation explores a cost effective alternative to gather the powerful photos that will excel your case work.
Having overhead photographs of vehicles at their impact positions is an extremely vital role in documentation and presentation of collision dynamics. Drones have recently been deployed to gather this data, but what happens when you can't fly due to proximity to a hazard? This presentation explores a cost effective alternative to gather the powerful photos that will excel your case work.
Anthony (Tony) Gonzalez
Documenting Bullet Trajectories
In July 2012, a lone gunman shot numerous rounds from multiple firearms into a crowded movie theater in Aurora, Colorado. As part of the scene documentation and shooting reconstruction process, it is necessary to determine and record approximate bullet trajectories. This presentation is a discussion of the equipment, photographic techniques, and challenges of photographing multiple lasers in a large indoor venue.
In July 2012, a lone gunman shot numerous rounds from multiple firearms into a crowded movie theater in Aurora, Colorado. As part of the scene documentation and shooting reconstruction process, it is necessary to determine and record approximate bullet trajectories. This presentation is a discussion of the equipment, photographic techniques, and challenges of photographing multiple lasers in a large indoor venue.
Gale Spring
Infrared & UV Photography
Infrared (IR) and ultraviolet (UV) photography have been part of biomedical and forensic photography for many years. Information may be revealed using invisible radiation. Historically, IR and UV sensitive silver halide emulsions were used. Today converted digital cameras create images faster with more consistent and superior results compared with analog methods. These imaging techniques have been used for identifying trace evidence, enhancing fingerprints, revealing details of obliterated tattoos, documenting bite marks/bruising as well as counterfeit materials. Digital technologies have made infrared imaging even easier for surveillance techniques. Digital cameras, however come with pitfalls concerning the interpretation of the images. Issues of tonal representation and exposure cannot be equated to visible light imaging. In addition, some filters commonly used for film photography give totally erroneous results with digital technologies. This presentation highlights some difficulties encountered with digital technologies and discusses the conversion of traditional digital cameras for use with IR and UV techniques making them a useful scientific and forensic imaging tool. The presentation aims to demystify some of the processes involved in IR/UV digital photography, broaden the knowledge of participants in applications and identify the specific dangers in the interpretation of the IR/UV images.
Infrared (IR) and ultraviolet (UV) photography have been part of biomedical and forensic photography for many years. Information may be revealed using invisible radiation. Historically, IR and UV sensitive silver halide emulsions were used. Today converted digital cameras create images faster with more consistent and superior results compared with analog methods. These imaging techniques have been used for identifying trace evidence, enhancing fingerprints, revealing details of obliterated tattoos, documenting bite marks/bruising as well as counterfeit materials. Digital technologies have made infrared imaging even easier for surveillance techniques. Digital cameras, however come with pitfalls concerning the interpretation of the images. Issues of tonal representation and exposure cannot be equated to visible light imaging. In addition, some filters commonly used for film photography give totally erroneous results with digital technologies. This presentation highlights some difficulties encountered with digital technologies and discusses the conversion of traditional digital cameras for use with IR and UV techniques making them a useful scientific and forensic imaging tool. The presentation aims to demystify some of the processes involved in IR/UV digital photography, broaden the knowledge of participants in applications and identify the specific dangers in the interpretation of the IR/UV images.
David Larraguibel
Cross-Polarization Photography
Photographic documentation of human tissues affected by various forms of pathology and trauma can present unique challenges for the forensic investigator. Sweat and condensation, blood and other bodily fluids, injuries hidden by burns or inorganic matter, can all cause issues of reflective artifacts or competing tone and texture. Additionally the documentation of tattoos, scars, and body markings in thermally damaged or darkly pigmented skin can be difficult for identification purposes.
While modern camera systems and techniques are able to mitigate some of these problems through exposure control and lighting solutions, the use of cross-polarization has greatly enhanced the ability of appropriately equipped and trained forensic investigators to document these findings. A lens mounted circular polarizer typically used to minimize environmental reflections caused by atmospheric lighting, combined with a controlled, polarized light source can bring a level of control that will allow for documentation of highly reflective surfaces, such as human tissue, while increasing contrast and saturation.
In this presentation I plan to provide an explanation of the science behind lighting human tissue using cross-polarization, how to source and deploy the equipment and techniques, and show several examples of the process. Wet tissues (Heart, Kidney, Lungs), tattoos on dark/thermally damaged skin, enhanced visualization of bruising on skin, visualization of bruising on muscle.
Photographic documentation of human tissues affected by various forms of pathology and trauma can present unique challenges for the forensic investigator. Sweat and condensation, blood and other bodily fluids, injuries hidden by burns or inorganic matter, can all cause issues of reflective artifacts or competing tone and texture. Additionally the documentation of tattoos, scars, and body markings in thermally damaged or darkly pigmented skin can be difficult for identification purposes.
While modern camera systems and techniques are able to mitigate some of these problems through exposure control and lighting solutions, the use of cross-polarization has greatly enhanced the ability of appropriately equipped and trained forensic investigators to document these findings. A lens mounted circular polarizer typically used to minimize environmental reflections caused by atmospheric lighting, combined with a controlled, polarized light source can bring a level of control that will allow for documentation of highly reflective surfaces, such as human tissue, while increasing contrast and saturation.
In this presentation I plan to provide an explanation of the science behind lighting human tissue using cross-polarization, how to source and deploy the equipment and techniques, and show several examples of the process. Wet tissues (Heart, Kidney, Lungs), tattoos on dark/thermally damaged skin, enhanced visualization of bruising on skin, visualization of bruising on muscle.
Art Borchers
Why Shoot Raw?
Forensic images can be crucial pieces of evidence. Photos need to be true, fair and accurate representations of the scene they depict. Does your camera and it's settings fulfill that obligation? Can you explain how your camera processes a digital image?
Forensic images can be crucial pieces of evidence. Photos need to be true, fair and accurate representations of the scene they depict. Does your camera and it's settings fulfill that obligation? Can you explain how your camera processes a digital image?
Mike Faulkner
Camera Sensors
Why are mobile phone cameras so good, high-res and small whereas industrial/commercial cameras are of lower resolution, larger size and higher cost?
Why are mobile phone cameras so good, high-res and small whereas industrial/commercial cameras are of lower resolution, larger size and higher cost?
Steve Anderson
Pole Photo for Crash
Having overhead photographs of vehicles at their impact positions is an extremely vital role in documentation and presentation of collision dynamics. Drones have recently been deployed to gather this data, but what happens when you can't fly due to proximity to a hazard? This presentation explores a cost effective alternative to gather the powerful photos that will excel your case work.
Having overhead photographs of vehicles at their impact positions is an extremely vital role in documentation and presentation of collision dynamics. Drones have recently been deployed to gather this data, but what happens when you can't fly due to proximity to a hazard? This presentation explores a cost effective alternative to gather the powerful photos that will excel your case work.
Anthony (Tony) Gonzalez
Documenting Bullet Trajectories
In July 2012, a lone gunman shot numerous rounds from multiple firearms into a crowded movie theater in Aurora, Colorado. As part of the scene documentation and shooting reconstruction process, it is necessary to determine and record approximate bullet trajectories. This presentation is a discussion of the equipment, photographic techniques, and challenges of photographing multiple lasers in a large indoor venue.
In July 2012, a lone gunman shot numerous rounds from multiple firearms into a crowded movie theater in Aurora, Colorado. As part of the scene documentation and shooting reconstruction process, it is necessary to determine and record approximate bullet trajectories. This presentation is a discussion of the equipment, photographic techniques, and challenges of photographing multiple lasers in a large indoor venue.
Gale Spring
Infrared & UV Photography
Infrared (IR) and ultraviolet (UV) photography have been part of biomedical and forensic photography for many years. Information may be revealed using invisible radiation. Historically, IR and UV sensitive silver halide emulsions were used. Today converted digital cameras create images faster with more consistent and superior results compared with analog methods. These imaging techniques have been used for identifying trace evidence, enhancing fingerprints, revealing details of obliterated tattoos, documenting bite marks/bruising as well as counterfeit materials. Digital technologies have made infrared imaging even easier for surveillance techniques. Digital cameras, however come with pitfalls concerning the interpretation of the images. Issues of tonal representation and exposure cannot be equated to visible light imaging. In addition, some filters commonly used for film photography give totally erroneous results with digital technologies. This presentation highlights some difficulties encountered with digital technologies and discusses the conversion of traditional digital cameras for use with IR and UV techniques making them a useful scientific and forensic imaging tool. The presentation aims to demystify some of the processes involved in IR/UV digital photography, broaden the knowledge of participants in applications and identify the specific dangers in the interpretation of the IR/UV images.
Infrared (IR) and ultraviolet (UV) photography have been part of biomedical and forensic photography for many years. Information may be revealed using invisible radiation. Historically, IR and UV sensitive silver halide emulsions were used. Today converted digital cameras create images faster with more consistent and superior results compared with analog methods. These imaging techniques have been used for identifying trace evidence, enhancing fingerprints, revealing details of obliterated tattoos, documenting bite marks/bruising as well as counterfeit materials. Digital technologies have made infrared imaging even easier for surveillance techniques. Digital cameras, however come with pitfalls concerning the interpretation of the images. Issues of tonal representation and exposure cannot be equated to visible light imaging. In addition, some filters commonly used for film photography give totally erroneous results with digital technologies. This presentation highlights some difficulties encountered with digital technologies and discusses the conversion of traditional digital cameras for use with IR and UV techniques making them a useful scientific and forensic imaging tool. The presentation aims to demystify some of the processes involved in IR/UV digital photography, broaden the knowledge of participants in applications and identify the specific dangers in the interpretation of the IR/UV images.
David Larraguibel
Cross-Polarization Photography
Photographic documentation of human tissues affected by various forms of pathology and trauma can present unique challenges for the forensic investigator. Sweat and condensation, blood and other bodily fluids, injuries hidden by burns or inorganic matter, can all cause issues of reflective artifacts or competing tone and texture. Additionally the documentation of tattoos, scars, and body markings in thermally damaged or darkly pigmented skin can be difficult for identification purposes.
While modern camera systems and techniques are able to mitigate some of these problems through exposure control and lighting solutions, the use of cross-polarization has greatly enhanced the ability of appropriately equipped and trained forensic investigators to document these findings. A lens mounted circular polarizer typically used to minimize environmental reflections caused by atmospheric lighting, combined with a controlled, polarized light source can bring a level of control that will allow for documentation of highly reflective surfaces, such as human tissue, while increasing contrast and saturation.
In this presentation I plan to provide an explanation of the science behind lighting human tissue using cross-polarization, how to source and deploy the equipment and techniques, and show several examples of the process. Wet tissues (Heart, Kidney, Lungs), tattoos on dark/thermally damaged skin, enhanced visualization of bruising on skin, visualization of bruising on muscle.
Photographic documentation of human tissues affected by various forms of pathology and trauma can present unique challenges for the forensic investigator. Sweat and condensation, blood and other bodily fluids, injuries hidden by burns or inorganic matter, can all cause issues of reflective artifacts or competing tone and texture. Additionally the documentation of tattoos, scars, and body markings in thermally damaged or darkly pigmented skin can be difficult for identification purposes.
While modern camera systems and techniques are able to mitigate some of these problems through exposure control and lighting solutions, the use of cross-polarization has greatly enhanced the ability of appropriately equipped and trained forensic investigators to document these findings. A lens mounted circular polarizer typically used to minimize environmental reflections caused by atmospheric lighting, combined with a controlled, polarized light source can bring a level of control that will allow for documentation of highly reflective surfaces, such as human tissue, while increasing contrast and saturation.
In this presentation I plan to provide an explanation of the science behind lighting human tissue using cross-polarization, how to source and deploy the equipment and techniques, and show several examples of the process. Wet tissues (Heart, Kidney, Lungs), tattoos on dark/thermally damaged skin, enhanced visualization of bruising on skin, visualization of bruising on muscle.
Art Borchers
Why Shoot Raw?
Forensic images can be crucial pieces of evidence. Photos need to be true, fair and accurate representations of the scene they depict. Does your camera and it's settings fulfill that obligation? Can you explain how your camera processes a digital image?
Forensic images can be crucial pieces of evidence. Photos need to be true, fair and accurate representations of the scene they depict. Does your camera and it's settings fulfill that obligation? Can you explain how your camera processes a digital image?
Mike Faulkner
Camera Sensors
Why are mobile phone cameras so good, high-res and small whereas industrial/commercial cameras are of lower resolution, larger size and higher cost?
Why are mobile phone cameras so good, high-res and small whereas industrial/commercial cameras are of lower resolution, larger size and higher cost?
Steve Anderson
Pole Photo for Crash
Having overhead photographs of vehicles at their impact positions is an extremely vital role in documentation and presentation of collision dynamics. Drones have recently been deployed to gather this data, but what happens when you can't fly due to proximity to a hazard? This presentation explores a cost effective alternative to gather the powerful photos that will excel your case work.
Having overhead photographs of vehicles at their impact positions is an extremely vital role in documentation and presentation of collision dynamics. Drones have recently been deployed to gather this data, but what happens when you can't fly due to proximity to a hazard? This presentation explores a cost effective alternative to gather the powerful photos that will excel your case work.
Anthony (Tony) Gonzalez
Documenting Bullet Trajectories
In July 2012, a lone gunman shot numerous rounds from multiple firearms into a crowded movie theater in Aurora, Colorado. As part of the scene documentation and shooting reconstruction process, it is necessary to determine and record approximate bullet trajectories. This presentation is a discussion of the equipment, photographic techniques, and challenges of photographing multiple lasers in a large indoor venue.
In July 2012, a lone gunman shot numerous rounds from multiple firearms into a crowded movie theater in Aurora, Colorado. As part of the scene documentation and shooting reconstruction process, it is necessary to determine and record approximate bullet trajectories. This presentation is a discussion of the equipment, photographic techniques, and challenges of photographing multiple lasers in a large indoor venue.
Gale Spring
Infrared & UV Photography
Infrared (IR) and ultraviolet (UV) photography have been part of biomedical and forensic photography for many years. Information may be revealed using invisible radiation. Historically, IR and UV sensitive silver halide emulsions were used. Today converted digital cameras create images faster with more consistent and superior results compared with analog methods. These imaging techniques have been used for identifying trace evidence, enhancing fingerprints, revealing details of obliterated tattoos, documenting bite marks/bruising as well as counterfeit materials. Digital technologies have made infrared imaging even easier for surveillance techniques. Digital cameras, however come with pitfalls concerning the interpretation of the images. Issues of tonal representation and exposure cannot be equated to visible light imaging. In addition, some filters commonly used for film photography give totally erroneous results with digital technologies. This presentation highlights some difficulties encountered with digital technologies and discusses the conversion of traditional digital cameras for use with IR and UV techniques making them a useful scientific and forensic imaging tool. The presentation aims to demystify some of the processes involved in IR/UV digital photography, broaden the knowledge of participants in applications and identify the specific dangers in the interpretation of the IR/UV images.
Infrared (IR) and ultraviolet (UV) photography have been part of biomedical and forensic photography for many years. Information may be revealed using invisible radiation. Historically, IR and UV sensitive silver halide emulsions were used. Today converted digital cameras create images faster with more consistent and superior results compared with analog methods. These imaging techniques have been used for identifying trace evidence, enhancing fingerprints, revealing details of obliterated tattoos, documenting bite marks/bruising as well as counterfeit materials. Digital technologies have made infrared imaging even easier for surveillance techniques. Digital cameras, however come with pitfalls concerning the interpretation of the images. Issues of tonal representation and exposure cannot be equated to visible light imaging. In addition, some filters commonly used for film photography give totally erroneous results with digital technologies. This presentation highlights some difficulties encountered with digital technologies and discusses the conversion of traditional digital cameras for use with IR and UV techniques making them a useful scientific and forensic imaging tool. The presentation aims to demystify some of the processes involved in IR/UV digital photography, broaden the knowledge of participants in applications and identify the specific dangers in the interpretation of the IR/UV images.
David Larraguibel
Cross-Polarization Photography
Photographic documentation of human tissues affected by various forms of pathology and trauma can present unique challenges for the forensic investigator. Sweat and condensation, blood and other bodily fluids, injuries hidden by burns or inorganic matter, can all cause issues of reflective artifacts or competing tone and texture. Additionally the documentation of tattoos, scars, and body markings in thermally damaged or darkly pigmented skin can be difficult for identification purposes.
While modern camera systems and techniques are able to mitigate some of these problems through exposure control and lighting solutions, the use of cross-polarization has greatly enhanced the ability of appropriately equipped and trained forensic investigators to document these findings. A lens mounted circular polarizer typically used to minimize environmental reflections caused by atmospheric lighting, combined with a controlled, polarized light source can bring a level of control that will allow for documentation of highly reflective surfaces, such as human tissue, while increasing contrast and saturation.
In this presentation I plan to provide an explanation of the science behind lighting human tissue using cross-polarization, how to source and deploy the equipment and techniques, and show several examples of the process. Wet tissues (Heart, Kidney, Lungs), tattoos on dark/thermally damaged skin, enhanced visualization of bruising on skin, visualization of bruising on muscle.
Photographic documentation of human tissues affected by various forms of pathology and trauma can present unique challenges for the forensic investigator. Sweat and condensation, blood and other bodily fluids, injuries hidden by burns or inorganic matter, can all cause issues of reflective artifacts or competing tone and texture. Additionally the documentation of tattoos, scars, and body markings in thermally damaged or darkly pigmented skin can be difficult for identification purposes.
While modern camera systems and techniques are able to mitigate some of these problems through exposure control and lighting solutions, the use of cross-polarization has greatly enhanced the ability of appropriately equipped and trained forensic investigators to document these findings. A lens mounted circular polarizer typically used to minimize environmental reflections caused by atmospheric lighting, combined with a controlled, polarized light source can bring a level of control that will allow for documentation of highly reflective surfaces, such as human tissue, while increasing contrast and saturation.
In this presentation I plan to provide an explanation of the science behind lighting human tissue using cross-polarization, how to source and deploy the equipment and techniques, and show several examples of the process. Wet tissues (Heart, Kidney, Lungs), tattoos on dark/thermally damaged skin, enhanced visualization of bruising on skin, visualization of bruising on muscle.
Art Borchers
Why Shoot Raw?
Forensic images can be crucial pieces of evidence. Photos need to be true, fair and accurate representations of the scene they depict. Does your camera and it's settings fulfill that obligation? Can you explain how your camera processes a digital image?
Forensic images can be crucial pieces of evidence. Photos need to be true, fair and accurate representations of the scene they depict. Does your camera and it's settings fulfill that obligation? Can you explain how your camera processes a digital image?
Mike Faulkner
Camera Sensors
Why are mobile phone cameras so good, high-res and small whereas industrial/commercial cameras are of lower resolution, larger size and higher cost?
Why are mobile phone cameras so good, high-res and small whereas industrial/commercial cameras are of lower resolution, larger size and higher cost?
Steve Anderson
Pole Photo for Crash
Having overhead photographs of vehicles at their impact positions is an extremely vital role in documentation and presentation of collision dynamics. Drones have recently been deployed to gather this data, but what happens when you can't fly due to proximity to a hazard? This presentation explores a cost effective alternative to gather the powerful photos that will excel your case work.
Having overhead photographs of vehicles at their impact positions is an extremely vital role in documentation and presentation of collision dynamics. Drones have recently been deployed to gather this data, but what happens when you can't fly due to proximity to a hazard? This presentation explores a cost effective alternative to gather the powerful photos that will excel your case work.
Anthony (Tony) Gonzalez
Documenting Bullet Trajectories
In July 2012, a lone gunman shot numerous rounds from multiple firearms into a crowded movie theater in Aurora, Colorado. As part of the scene documentation and shooting reconstruction process, it is necessary to determine and record approximate bullet trajectories. This presentation is a discussion of the equipment, photographic techniques, and challenges of photographing multiple lasers in a large indoor venue.
In July 2012, a lone gunman shot numerous rounds from multiple firearms into a crowded movie theater in Aurora, Colorado. As part of the scene documentation and shooting reconstruction process, it is necessary to determine and record approximate bullet trajectories. This presentation is a discussion of the equipment, photographic techniques, and challenges of photographing multiple lasers in a large indoor venue.
Gale Spring
Infrared & UV Photography
Infrared (IR) and ultraviolet (UV) photography have been part of biomedical and forensic photography for many years. Information may be revealed using invisible radiation. Historically, IR and UV sensitive silver halide emulsions were used. Today converted digital cameras create images faster with more consistent and superior results compared with analog methods. These imaging techniques have been used for identifying trace evidence, enhancing fingerprints, revealing details of obliterated tattoos, documenting bite marks/bruising as well as counterfeit materials. Digital technologies have made infrared imaging even easier for surveillance techniques. Digital cameras, however come with pitfalls concerning the interpretation of the images. Issues of tonal representation and exposure cannot be equated to visible light imaging. In addition, some filters commonly used for film photography give totally erroneous results with digital technologies. This presentation highlights some difficulties encountered with digital technologies and discusses the conversion of traditional digital cameras for use with IR and UV techniques making them a useful scientific and forensic imaging tool. The presentation aims to demystify some of the processes involved in IR/UV digital photography, broaden the knowledge of participants in applications and identify the specific dangers in the interpretation of the IR/UV images.
Infrared (IR) and ultraviolet (UV) photography have been part of biomedical and forensic photography for many years. Information may be revealed using invisible radiation. Historically, IR and UV sensitive silver halide emulsions were used. Today converted digital cameras create images faster with more consistent and superior results compared with analog methods. These imaging techniques have been used for identifying trace evidence, enhancing fingerprints, revealing details of obliterated tattoos, documenting bite marks/bruising as well as counterfeit materials. Digital technologies have made infrared imaging even easier for surveillance techniques. Digital cameras, however come with pitfalls concerning the interpretation of the images. Issues of tonal representation and exposure cannot be equated to visible light imaging. In addition, some filters commonly used for film photography give totally erroneous results with digital technologies. This presentation highlights some difficulties encountered with digital technologies and discusses the conversion of traditional digital cameras for use with IR and UV techniques making them a useful scientific and forensic imaging tool. The presentation aims to demystify some of the processes involved in IR/UV digital photography, broaden the knowledge of participants in applications and identify the specific dangers in the interpretation of the IR/UV images.
David Larraguibel
Cross-Polarization Photography
Photographic documentation of human tissues affected by various forms of pathology and trauma can present unique challenges for the forensic investigator. Sweat and condensation, blood and other bodily fluids, injuries hidden by burns or inorganic matter, can all cause issues of reflective artifacts or competing tone and texture. Additionally the documentation of tattoos, scars, and body markings in thermally damaged or darkly pigmented skin can be difficult for identification purposes.
While modern camera systems and techniques are able to mitigate some of these problems through exposure control and lighting solutions, the use of cross-polarization has greatly enhanced the ability of appropriately equipped and trained forensic investigators to document these findings. A lens mounted circular polarizer typically used to minimize environmental reflections caused by atmospheric lighting, combined with a controlled, polarized light source can bring a level of control that will allow for documentation of highly reflective surfaces, such as human tissue, while increasing contrast and saturation.
In this presentation I plan to provide an explanation of the science behind lighting human tissue using cross-polarization, how to source and deploy the equipment and techniques, and show several examples of the process. Wet tissues (Heart, Kidney, Lungs), tattoos on dark/thermally damaged skin, enhanced visualization of bruising on skin, visualization of bruising on muscle.
Photographic documentation of human tissues affected by various forms of pathology and trauma can present unique challenges for the forensic investigator. Sweat and condensation, blood and other bodily fluids, injuries hidden by burns or inorganic matter, can all cause issues of reflective artifacts or competing tone and texture. Additionally the documentation of tattoos, scars, and body markings in thermally damaged or darkly pigmented skin can be difficult for identification purposes.
While modern camera systems and techniques are able to mitigate some of these problems through exposure control and lighting solutions, the use of cross-polarization has greatly enhanced the ability of appropriately equipped and trained forensic investigators to document these findings. A lens mounted circular polarizer typically used to minimize environmental reflections caused by atmospheric lighting, combined with a controlled, polarized light source can bring a level of control that will allow for documentation of highly reflective surfaces, such as human tissue, while increasing contrast and saturation.
In this presentation I plan to provide an explanation of the science behind lighting human tissue using cross-polarization, how to source and deploy the equipment and techniques, and show several examples of the process. Wet tissues (Heart, Kidney, Lungs), tattoos on dark/thermally damaged skin, enhanced visualization of bruising on skin, visualization of bruising on muscle.
Art Borchers
Why Shoot Raw?
Forensic images can be crucial pieces of evidence. Photos need to be true, fair and accurate representations of the scene they depict. Does your camera and it's settings fulfill that obligation? Can you explain how your camera processes a digital image?
Forensic images can be crucial pieces of evidence. Photos need to be true, fair and accurate representations of the scene they depict. Does your camera and it's settings fulfill that obligation? Can you explain how your camera processes a digital image?
Mike Faulkner
Camera Sensors
Why are mobile phone cameras so good, high-res and small whereas industrial/commercial cameras are of lower resolution, larger size and higher cost?
Why are mobile phone cameras so good, high-res and small whereas industrial/commercial cameras are of lower resolution, larger size and higher cost?
Steve Anderson
Pole Photo for Crash
Having overhead photographs of vehicles at their impact positions is an extremely vital role in documentation and presentation of collision dynamics. Drones have recently been deployed to gather this data, but what happens when you can't fly due to proximity to a hazard? This presentation explores a cost effective alternative to gather the powerful photos that will excel your case work.
Having overhead photographs of vehicles at their impact positions is an extremely vital role in documentation and presentation of collision dynamics. Drones have recently been deployed to gather this data, but what happens when you can't fly due to proximity to a hazard? This presentation explores a cost effective alternative to gather the powerful photos that will excel your case work.
Anthony (Tony) Gonzalez
Documenting Bullet Trajectories
In July 2012, a lone gunman shot numerous rounds from multiple firearms into a crowded movie theater in Aurora, Colorado. As part of the scene documentation and shooting reconstruction process, it is necessary to determine and record approximate bullet trajectories. This presentation is a discussion of the equipment, photographic techniques, and challenges of photographing multiple lasers in a large indoor venue.
In July 2012, a lone gunman shot numerous rounds from multiple firearms into a crowded movie theater in Aurora, Colorado. As part of the scene documentation and shooting reconstruction process, it is necessary to determine and record approximate bullet trajectories. This presentation is a discussion of the equipment, photographic techniques, and challenges of photographing multiple lasers in a large indoor venue.
Gale Spring
Infrared & UV Photography
Infrared (IR) and ultraviolet (UV) photography have been part of biomedical and forensic photography for many years. Information may be revealed using invisible radiation. Historically, IR and UV sensitive silver halide emulsions were used. Today converted digital cameras create images faster with more consistent and superior results compared with analog methods. These imaging techniques have been used for identifying trace evidence, enhancing fingerprints, revealing details of obliterated tattoos, documenting bite marks/bruising as well as counterfeit materials. Digital technologies have made infrared imaging even easier for surveillance techniques. Digital cameras, however come with pitfalls concerning the interpretation of the images. Issues of tonal representation and exposure cannot be equated to visible light imaging. In addition, some filters commonly used for film photography give totally erroneous results with digital technologies. This presentation highlights some difficulties encountered with digital technologies and discusses the conversion of traditional digital cameras for use with IR and UV techniques making them a useful scientific and forensic imaging tool. The presentation aims to demystify some of the processes involved in IR/UV digital photography, broaden the knowledge of participants in applications and identify the specific dangers in the interpretation of the IR/UV images.
Infrared (IR) and ultraviolet (UV) photography have been part of biomedical and forensic photography for many years. Information may be revealed using invisible radiation. Historically, IR and UV sensitive silver halide emulsions were used. Today converted digital cameras create images faster with more consistent and superior results compared with analog methods. These imaging techniques have been used for identifying trace evidence, enhancing fingerprints, revealing details of obliterated tattoos, documenting bite marks/bruising as well as counterfeit materials. Digital technologies have made infrared imaging even easier for surveillance techniques. Digital cameras, however come with pitfalls concerning the interpretation of the images. Issues of tonal representation and exposure cannot be equated to visible light imaging. In addition, some filters commonly used for film photography give totally erroneous results with digital technologies. This presentation highlights some difficulties encountered with digital technologies and discusses the conversion of traditional digital cameras for use with IR and UV techniques making them a useful scientific and forensic imaging tool. The presentation aims to demystify some of the processes involved in IR/UV digital photography, broaden the knowledge of participants in applications and identify the specific dangers in the interpretation of the IR/UV images.
Day 3: Jan 19, 2022
Alina Teaca
Scientific Purpose of Forensic Photography
Since the advent of digital photography, the scientific purpose of Forensic photography has been greatly distorted by the excessive use of automatic settings of the technical means and we forgot that photography, to ensure a more accurate and objective representation of what is intended to be exposed, uses science: optics, mechanics, mathematics and extrasensory perception. Taking into consideration the natural evolution of science and technology, we consider that a new analysis is required, to identify if the methods and techniques we use for Crime Scene photography are still serving the scientific purpose of obtaining an objective representation of the crime scene and to record, in an objective way the main objects or to establish the dimensions or distances between various objects, located in the criminal field.
Since the advent of digital photography, the scientific purpose of Forensic photography has been greatly distorted by the excessive use of automatic settings of the technical means and we forgot that photography, to ensure a more accurate and objective representation of what is intended to be exposed, uses science: optics, mechanics, mathematics and extrasensory perception. Taking into consideration the natural evolution of science and technology, we consider that a new analysis is required, to identify if the methods and techniques we use for Crime Scene photography are still serving the scientific purpose of obtaining an objective representation of the crime scene and to record, in an objective way the main objects or to establish the dimensions or distances between various objects, located in the criminal field.
John Guzzwell
Perspective correction
In some situations, it is difficult or impossible to take perpendicular photos of evidence such as latent friction ridge impressions or bloodstain patterns deposited on flat surfaces like doors, windows, walls, floors or ceilings. A simple perspective transformation function can be used in combination with right angle scales to transform such non-perpendicular photo images to a perpendicular perspective. The theory will be described briefly followed by example exercises. The perspective transformation function has been implemented within a software application that will be used in the exercises to show how to quickly correct non-perpendicular images. The accuracy of the transformation will also be discussed.
In some situations, it is difficult or impossible to take perpendicular photos of evidence such as latent friction ridge impressions or bloodstain patterns deposited on flat surfaces like doors, windows, walls, floors or ceilings. A simple perspective transformation function can be used in combination with right angle scales to transform such non-perpendicular photo images to a perpendicular perspective. The theory will be described briefly followed by example exercises. The perspective transformation function has been implemented within a software application that will be used in the exercises to show how to quickly correct non-perpendicular images. The accuracy of the transformation will also be discussed.
Robert Gallagher
Wellesley Police Department BCI, Wellesley, Massachusetts, USA / IAI Forensic Photography and Digital Imaging Certification Board
Gallagher currently serves as a Detective Sergeant and Investigations Commander for the Wellesley (MA) Police Department’s Bureau of Criminal Investigation (BCI). Gallagher is the President for the New England Division of the International Association for Identification (NEDIAI), and is Secretary of the International Association for Identification’s Forensic Photography & Imaging Certification Board (IAI FPICB).
Gallagher currently serves as a Detective Sergeant and Investigations Commander for the Wellesley (MA) Police Department’s Bureau of Criminal Investigation (BCI). Gallagher is the President for the New England Division of the International Association for Identification (NEDIAI), and is Secretary of the International Association for Identification’s Forensic Photography & Imaging Certification Board (IAI FPICB).
Andrea Alessi
Close-range Photogrammetry: Techniques and Pitfalls
This presentation will focus on close-range photogrammetry, discussing various acquisition techniques and tools that can help achieving the best possible results even when conditions are not favorable. Devices and software tools will be discussed in the context of 3DF Zephyr, the complete photogrammetry software suite developed by 3DFlow SRL.
This presentation will focus on close-range photogrammetry, discussing various acquisition techniques and tools that can help achieving the best possible results even when conditions are not favorable. Devices and software tools will be discussed in the context of 3DF Zephyr, the complete photogrammetry software suite developed by 3DFlow SRL.
Shane Richardson
Collision investigations
In this presentation, photography (using a pole and cell phone) is used to document collision locations, Metashape is used to create 3D point clouds, and PC-Crash is used to simulate and reconstruct the collision and create simulation videos. The options of using either a drone or 3d laser scanner were considered and will be discussed with models illustrated.
In this presentation, photography (using a pole and cell phone) is used to document collision locations, Metashape is used to create 3D point clouds, and PC-Crash is used to simulate and reconstruct the collision and create simulation videos. The options of using either a drone or 3d laser scanner were considered and will be discussed with models illustrated.
William Martinez
UV & IR Digital Photography Equipment Considerations
Getting started with multispectral imaging presents many challenges. You may find yourself wondering which camera, lens, and filter combinations work best while finding that there isn’t much information available online. When it comes to taking UV & IR images, your equipment can either save you hours of work or really slow down your overall workflow. The goal at Kolari Vision is to educate professionals on how to put together a multispectral imaging set up that will complement their workflow while simplifying the approach to capturing ultraviolet and IR images. Many professionals find that when opting in for commercial forensics photography packages, they may lack the capabilities and equipment required to be able to take UV, visible light, and IR images with one camera. The alternate approach is to use consumer cameras and 3rd party equipment and build your own multispectral imaging kit, which requires some specialized knowledge. Here we present some equipment considerations around camera, lens, filters, and light sources to ensure accurate capture of the target wavelengths. We will review using general purpose lenses for UV and IR photography while going over the limitations that need to be considered to successfully capture UV and IR. We will go over how to do this type of photography on a budget, as well as present a ready-to-go kit built from the ground up for this type of shooting.
Getting started with multispectral imaging presents many challenges. You may find yourself wondering which camera, lens, and filter combinations work best while finding that there isn’t much information available online. When it comes to taking UV & IR images, your equipment can either save you hours of work or really slow down your overall workflow. The goal at Kolari Vision is to educate professionals on how to put together a multispectral imaging set up that will complement their workflow while simplifying the approach to capturing ultraviolet and IR images. Many professionals find that when opting in for commercial forensics photography packages, they may lack the capabilities and equipment required to be able to take UV, visible light, and IR images with one camera. The alternate approach is to use consumer cameras and 3rd party equipment and build your own multispectral imaging kit, which requires some specialized knowledge. Here we present some equipment considerations around camera, lens, filters, and light sources to ensure accurate capture of the target wavelengths. We will review using general purpose lenses for UV and IR photography while going over the limitations that need to be considered to successfully capture UV and IR. We will go over how to do this type of photography on a budget, as well as present a ready-to-go kit built from the ground up for this type of shooting.
George Reis
Reconstructing Witness Perspectives
Eyewitness identifications are often introduced at trial. However, reconstructing what someone saw with proper attention to the spatial relationships requires special protocols that will be presented.
Eyewitness identifications are often introduced at trial. However, reconstructing what someone saw with proper attention to the spatial relationships requires special protocols that will be presented.
Soeren Kottner
3D multispectral imaging
Simon Brown
Underwater Photography
Photography underwater is a completely different environment where light behaves differently. Learn about how to overcome challenges faced when underwater and how to produce high quality images at great depths.
Photography underwater is a completely different environment where light behaves differently. Learn about how to overcome challenges faced when underwater and how to produce high quality images at great depths.
Robert Wyman
Smartphone cameras have come a long way in terms of their image quality and capabilities. Learn about how phone apps can be integrated into the forensic and investigative workflow.
Tom Vadnais
Polarizers and flash
Learn about polarizers and flash photography and how they are vital to capturing details not easily seen due to shadows and reflections. This is especially useful when dealing with evidence from vehicular accidents.
Learn about polarizers and flash photography and how they are vital to capturing details not easily seen due to shadows and reflections. This is especially useful when dealing with evidence from vehicular accidents.
Rob Rigole
Night Time Photography
What do you do when you have a large, outdoor scene with practically no ambient light? Paint with a flash! Rob Rigole will present the technical details, equipment and methods to capture night scenes with a tripod and flash.
What do you do when you have a large, outdoor scene with practically no ambient light? Paint with a flash! Rob Rigole will present the technical details, equipment and methods to capture night scenes with a tripod and flash.
Alina Teaca
Scientific Purpose of Forensic Photography
Since the advent of digital photography, the scientific purpose of Forensic photography has been greatly distorted by the excessive use of automatic settings of the technical means and we forgot that photography, to ensure a more accurate and objective representation of what is intended to be exposed, uses science: optics, mechanics, mathematics and extrasensory perception. Taking into consideration the natural evolution of science and technology, we consider that a new analysis is required, to identify if the methods and techniques we use for Crime Scene photography are still serving the scientific purpose of obtaining an objective representation of the crime scene and to record, in an objective way the main objects or to establish the dimensions or distances between various objects, located in the criminal field.
Since the advent of digital photography, the scientific purpose of Forensic photography has been greatly distorted by the excessive use of automatic settings of the technical means and we forgot that photography, to ensure a more accurate and objective representation of what is intended to be exposed, uses science: optics, mechanics, mathematics and extrasensory perception. Taking into consideration the natural evolution of science and technology, we consider that a new analysis is required, to identify if the methods and techniques we use for Crime Scene photography are still serving the scientific purpose of obtaining an objective representation of the crime scene and to record, in an objective way the main objects or to establish the dimensions or distances between various objects, located in the criminal field.
John Guzzwell
Perspective correction
In some situations, it is difficult or impossible to take perpendicular photos of evidence such as latent friction ridge impressions or bloodstain patterns deposited on flat surfaces like doors, windows, walls, floors or ceilings. A simple perspective transformation function can be used in combination with right angle scales to transform such non-perpendicular photo images to a perpendicular perspective. The theory will be described briefly followed by example exercises. The perspective transformation function has been implemented within a software application that will be used in the exercises to show how to quickly correct non-perpendicular images. The accuracy of the transformation will also be discussed.
In some situations, it is difficult or impossible to take perpendicular photos of evidence such as latent friction ridge impressions or bloodstain patterns deposited on flat surfaces like doors, windows, walls, floors or ceilings. A simple perspective transformation function can be used in combination with right angle scales to transform such non-perpendicular photo images to a perpendicular perspective. The theory will be described briefly followed by example exercises. The perspective transformation function has been implemented within a software application that will be used in the exercises to show how to quickly correct non-perpendicular images. The accuracy of the transformation will also be discussed.
Robert Gallagher
Wellesley Police Department BCI, Wellesley, Massachusetts, USA / IAI Forensic Photography and Digital Imaging Certification Board
Gallagher currently serves as a Detective Sergeant and Investigations Commander for the Wellesley (MA) Police Department’s Bureau of Criminal Investigation (BCI). Gallagher is the President for the New England Division of the International Association for Identification (NEDIAI), and is Secretary of the International Association for Identification’s Forensic Photography & Imaging Certification Board (IAI FPICB).
Gallagher currently serves as a Detective Sergeant and Investigations Commander for the Wellesley (MA) Police Department’s Bureau of Criminal Investigation (BCI). Gallagher is the President for the New England Division of the International Association for Identification (NEDIAI), and is Secretary of the International Association for Identification’s Forensic Photography & Imaging Certification Board (IAI FPICB).
Andrea Alessi
Close-range Photogrammetry: Techniques and Pitfalls
This presentation will focus on close-range photogrammetry, discussing various acquisition techniques and tools that can help achieving the best possible results even when conditions are not favorable. Devices and software tools will be discussed in the context of 3DF Zephyr, the complete photogrammetry software suite developed by 3DFlow SRL.
This presentation will focus on close-range photogrammetry, discussing various acquisition techniques and tools that can help achieving the best possible results even when conditions are not favorable. Devices and software tools will be discussed in the context of 3DF Zephyr, the complete photogrammetry software suite developed by 3DFlow SRL.
Shane Richardson
Collision investigations
In this presentation, photography (using a pole and cell phone) is used to document collision locations, Metashape is used to create 3D point clouds, and PC-Crash is used to simulate and reconstruct the collision and create simulation videos. The options of using either a drone or 3d laser scanner were considered and will be discussed with models illustrated.
In this presentation, photography (using a pole and cell phone) is used to document collision locations, Metashape is used to create 3D point clouds, and PC-Crash is used to simulate and reconstruct the collision and create simulation videos. The options of using either a drone or 3d laser scanner were considered and will be discussed with models illustrated.
William Martinez
UV & IR Digital Photography Equipment Considerations
Getting started with multispectral imaging presents many challenges. You may find yourself wondering which camera, lens, and filter combinations work best while finding that there isn’t much information available online. When it comes to taking UV & IR images, your equipment can either save you hours of work or really slow down your overall workflow. The goal at Kolari Vision is to educate professionals on how to put together a multispectral imaging set up that will complement their workflow while simplifying the approach to capturing ultraviolet and IR images. Many professionals find that when opting in for commercial forensics photography packages, they may lack the capabilities and equipment required to be able to take UV, visible light, and IR images with one camera. The alternate approach is to use consumer cameras and 3rd party equipment and build your own multispectral imaging kit, which requires some specialized knowledge. Here we present some equipment considerations around camera, lens, filters, and light sources to ensure accurate capture of the target wavelengths. We will review using general purpose lenses for UV and IR photography while going over the limitations that need to be considered to successfully capture UV and IR. We will go over how to do this type of photography on a budget, as well as present a ready-to-go kit built from the ground up for this type of shooting.
Getting started with multispectral imaging presents many challenges. You may find yourself wondering which camera, lens, and filter combinations work best while finding that there isn’t much information available online. When it comes to taking UV & IR images, your equipment can either save you hours of work or really slow down your overall workflow. The goal at Kolari Vision is to educate professionals on how to put together a multispectral imaging set up that will complement their workflow while simplifying the approach to capturing ultraviolet and IR images. Many professionals find that when opting in for commercial forensics photography packages, they may lack the capabilities and equipment required to be able to take UV, visible light, and IR images with one camera. The alternate approach is to use consumer cameras and 3rd party equipment and build your own multispectral imaging kit, which requires some specialized knowledge. Here we present some equipment considerations around camera, lens, filters, and light sources to ensure accurate capture of the target wavelengths. We will review using general purpose lenses for UV and IR photography while going over the limitations that need to be considered to successfully capture UV and IR. We will go over how to do this type of photography on a budget, as well as present a ready-to-go kit built from the ground up for this type of shooting.
George Reis
Reconstructing Witness Perspectives
Eyewitness identifications are often introduced at trial. However, reconstructing what someone saw with proper attention to the spatial relationships requires special protocols that will be presented.
Eyewitness identifications are often introduced at trial. However, reconstructing what someone saw with proper attention to the spatial relationships requires special protocols that will be presented.
Soeren Kottner
3D multispectral imaging
Simon Brown
Underwater Photography
Photography underwater is a completely different environment where light behaves differently. Learn about how to overcome challenges faced when underwater and how to produce high quality images at great depths.
Photography underwater is a completely different environment where light behaves differently. Learn about how to overcome challenges faced when underwater and how to produce high quality images at great depths.
Robert Wyman
Smartphone cameras have come a long way in terms of their image quality and capabilities. Learn about how phone apps can be integrated into the forensic and investigative workflow.
Tom Vadnais
Polarizers and flash
Learn about polarizers and flash photography and how they are vital to capturing details not easily seen due to shadows and reflections. This is especially useful when dealing with evidence from vehicular accidents.
Learn about polarizers and flash photography and how they are vital to capturing details not easily seen due to shadows and reflections. This is especially useful when dealing with evidence from vehicular accidents.
Rob Rigole
Night Time Photography
What do you do when you have a large, outdoor scene with practically no ambient light? Paint with a flash! Rob Rigole will present the technical details, equipment and methods to capture night scenes with a tripod and flash.
What do you do when you have a large, outdoor scene with practically no ambient light? Paint with a flash! Rob Rigole will present the technical details, equipment and methods to capture night scenes with a tripod and flash.
Alina Teaca
Scientific Purpose of Forensic Photography
Since the advent of digital photography, the scientific purpose of Forensic photography has been greatly distorted by the excessive use of automatic settings of the technical means and we forgot that photography, to ensure a more accurate and objective representation of what is intended to be exposed, uses science: optics, mechanics, mathematics and extrasensory perception. Taking into consideration the natural evolution of science and technology, we consider that a new analysis is required, to identify if the methods and techniques we use for Crime Scene photography are still serving the scientific purpose of obtaining an objective representation of the crime scene and to record, in an objective way the main objects or to establish the dimensions or distances between various objects, located in the criminal field.
Since the advent of digital photography, the scientific purpose of Forensic photography has been greatly distorted by the excessive use of automatic settings of the technical means and we forgot that photography, to ensure a more accurate and objective representation of what is intended to be exposed, uses science: optics, mechanics, mathematics and extrasensory perception. Taking into consideration the natural evolution of science and technology, we consider that a new analysis is required, to identify if the methods and techniques we use for Crime Scene photography are still serving the scientific purpose of obtaining an objective representation of the crime scene and to record, in an objective way the main objects or to establish the dimensions or distances between various objects, located in the criminal field.
John Guzzwell
Perspective correction
In some situations, it is difficult or impossible to take perpendicular photos of evidence such as latent friction ridge impressions or bloodstain patterns deposited on flat surfaces like doors, windows, walls, floors or ceilings. A simple perspective transformation function can be used in combination with right angle scales to transform such non-perpendicular photo images to a perpendicular perspective. The theory will be described briefly followed by example exercises. The perspective transformation function has been implemented within a software application that will be used in the exercises to show how to quickly correct non-perpendicular images. The accuracy of the transformation will also be discussed.
In some situations, it is difficult or impossible to take perpendicular photos of evidence such as latent friction ridge impressions or bloodstain patterns deposited on flat surfaces like doors, windows, walls, floors or ceilings. A simple perspective transformation function can be used in combination with right angle scales to transform such non-perpendicular photo images to a perpendicular perspective. The theory will be described briefly followed by example exercises. The perspective transformation function has been implemented within a software application that will be used in the exercises to show how to quickly correct non-perpendicular images. The accuracy of the transformation will also be discussed.
Robert Gallagher
Wellesley Police Department BCI, Wellesley, Massachusetts, USA / IAI Forensic Photography and Digital Imaging Certification Board
Gallagher currently serves as a Detective Sergeant and Investigations Commander for the Wellesley (MA) Police Department’s Bureau of Criminal Investigation (BCI). Gallagher is the President for the New England Division of the International Association for Identification (NEDIAI), and is Secretary of the International Association for Identification’s Forensic Photography & Imaging Certification Board (IAI FPICB).
Gallagher currently serves as a Detective Sergeant and Investigations Commander for the Wellesley (MA) Police Department’s Bureau of Criminal Investigation (BCI). Gallagher is the President for the New England Division of the International Association for Identification (NEDIAI), and is Secretary of the International Association for Identification’s Forensic Photography & Imaging Certification Board (IAI FPICB).